Juice Soul

Juice Soul and L.T. Terror’s “Let Me Have My Way”: A Critical Review

"Let Me Have My Way" Juice Soul

(Photo Courtesy of Juice Soul)

“Let Me Have My Way,” the second single from the forthcoming album Too Dark to Turn Back, features the ingenious collaboration of R&B and soul artist Juice Soul, rapper L.T. Terror and producer Chevalier Coleman. These gifted independent black male talents are among the best in the music industry. Without question, they will soon be household names. Last summer’s hottest song, “Tasteless,” their brainchild, put music fans in the mood for romance. With “Let Me Have My Way,” the hot, the sexy, the romance returns—just in time for summer love and lovemaking.

Trained in the Department of English and Modern Languages at the renowned Albany State University, Juice Soul masterfully wields compelling storytelling in his new single; this engrossing storytelling is a singular and characteristic element in his oeuvre. Mr. Soul’s euphonious, mellifluous vocals never disappoint, never auto-tuned, always delivering classic and disarming sounds that drive the ladies wild.

Drawing on the power of vivid, evocative storytelling, Juice takes his listeners on a journey, a love journey, one where sexual satisfaction is promised. We, the listeners, witness a cohesive and intriguing narrative, one apposite for an episode of a quality television drama.

A general proclivity in postmodernism, a historical and cultural phenomenon and the historical and cultural epoch in which we reside, as articulated by cultural critic and theorist Fredric Jameson and scholar Elizabeth Atkinson, is to welcome disorder and ambiguity. Resisting this postmodern impulse, Mr. Soul proffers a substantive story that’s logical and perspicuous and that resonates—he does not simply string some words together, as is, unfortunately, increasingly becoming the case for many popular singers and songwriters. Even some of his distinctive lyrical phrasing, where the vocal styling appears to blur or fade words intentionally for musicality purposes, still permits audiences to understand fundamentally what he attempts to convey.

The song anticipates feminist critique: both artists respectfully invite their desired women to share in an intimate experience with them. In Soul’s case, he wants it to last perpetually: “I never wanna let you go.” Sexual intercourse for him is communal, appropriately tasteful and delicate, never sacrificing, though, healthy masculine performance: “I’m going to give it to you so nice/Tell me how you feel about this?” The artist expresses a genuine interest in evaluative feedback—even during the sexual encounter, suggesting a true wish to please his woman. As artist, father, and professional, Juice Soul remains relentlessly authentic.

While L.T. Terror maintains this authenticity in the song, the rapper does it in a divergent way from Juice. The sagacious rapper, disabusing potential critics of arguments about the song being too idyllic, too mawkish (and it’s not), communicates frank intentions about his desires for the sexual experience, one ephemeral by design, yet vowed to delight. A central characteristic of postmodernism is an explicit embracing and engaging in textual fragmentation, that is, intentional textual discontinuities, and Terror’s lyrics, from a first reading, seem to represent radical textual fragmentation, especially when one juxtaposes them with Juice’s. Sex, however, does not have to be an enduring commitment; it can be a “one-time” experience, as Juice Soul intimates.

For L.T. Terror, this “one time” sexual interaction will include psychic stimulation: “My favorite position is in your mind.” Although the artist isn’t looking for a long-term physical commitment (and isn’t willing to give one), he hopes the woman will eternally remember their time together: “trying to find a home inside of your thighs.” Candid as possible, though, the rapper does not want good sex mistaken for love: “Might see love inside of my eyes/But that’s one big disguise/I’m such a horrible guy.” In other words, enjoy this magical moment, but don’t catch any abiding feelings.

Ironically, the divergences between Juice Soul’s lyrics and L.T. Terror’s form a totality, a unified whole, one reflecting real possibilities, diverse interactions and reactions, and nuanced notions of authenticity.

The track can be purchased on iTunes, and one can hear it on all digital streaming platforms, including Spotify, Apple Music, and Tidal.

Let’s make this single go viral by sharing this piece and keeping the song in constant rotation on our favorite listening devices and music platforms.

Dr. Antonio Maurice Daniels

University of Wisconsin-Madison

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Juice Soul’s “Made Her A Woman”: A Relationship Counternarrative for the Fellas

While male artists, especially those in R&B and Hip-Hop, often receive charges of employing sexist, patriarchal, misogynistic and divisive imagery and language, Juice Soul, Jason Williams of Augusta, Georgia, offers a mature, balanced and compelling counternarrative to those charges. Too many songs across musical genres present an oversimplified ultimate reason why numerous intimate heterosexual relationships fail: it’s the man’s fault. Yes, admittedly, men, more often than not, create the core challenges and problems that plague relationships and inevitably lead to their undoing. In many cases, however, women contribute significantly to these relationship challenges and problems. “Made Her A Woman,” one of the hit tracks from Juice Soul’s 2005 100% Concentration album, boldly, yet respectfully, ventures into this frequently slanted, deficient in nuance discourse.

Juice Soul’s dexterous melding of urban contemporary R&B and neo-soul lends itself useful to illuminating his characteristic deftness in relating an enchanting story through song. The powerful art of storytelling represented in “Made Her A Woman”—and most of his works—facilitates heartfelt emotions expressed. Although the title, “Made Her A Woman,” might give the impression of a standard patriarchal song, the artist deploys an ironic title, to surprise, challenge, unsettle. Early in the song, Mr. Williams disabuses the listener of any thoughts about this work being laced with misogynist or patriarchal words or themes.

Juice Soul Jason Williams

(Photo Courtesy of Juice Soul)

The artist longs for his former love to appreciate the substantial contributions he made in her life that helped her to evolve into a mature and productive woman. Her unwillingness to give him the gratitude he deserves results in a vexing loneliness; a loneliness that engenders a primarily dejected mood. Pain, however, seems to motivate the artist to rise above the limitations of his extant inauspicious circumstances, communicating a slight sense of optimism about his future love life.

Williams’ oeuvre appears intimately grounded in realism. The type of raw emotion and zeal he delivers suggests mostly biographical content rather than purely fictional content, which could explain why his songs connect so strongly with fans.

“Made Her A Woman” taps into the universal human condition by engaging common feelings experienced: loss, loneliness, heartbreak and disenchantment. As an adroit and shrewd lyricist, Juice Soul always releases a sincere, candid piece. This track conveys an important message: heterosexual men’s relationship narratives possess great value, and when artists proffer those narratives without fear, we behold poignant, beautiful art—the type of art represented by his Summer 2016 song featuring rapper L.T. Terror, one of the best songs produced this decade, “Tasteless.”

Dr. Antonio Maurice Daniels

University of Wisconsin-Madison

“Tasteless” by Juice Soul Featuring L.T. Terror: The Hottest Track of Summer 2016

Tasteless Juice Soul

(Photo Credit: Juice Soul)

Rising star and independent singer and songwriter Juice Soul has released the summer’s hottest track, “Tasteless,” featuring rap artist L.T. Terror and produced by Chevalier. Corporate media often defines which song is the hottest of a particular season, with little input from consumers themselves. As an increasing number of people learn about “Tasteless,” they’re convinced it’s the best new song available this summer.

With this track, Juice Soul engenders a new movement, a movement centered on loving one another. In the extant political climate—where vile, xenophobic, racist and sexist discourse is exponentially increasing and sadly becoming normative—the native of Augusta, Georgia, Juice Soul, promulgates a national and global clarion call to “love somebody.” The song, therefore, offers a brilliant, masterful and powerful counternarrative to the dominant national narrative of discord advanced by political interlocutors on the Left and Right.

“Tasteless” has potential to burgeon an effective and robust national citizens’ counterinsurgency against elected officials and candidates with intentions to foment hate and violence. The song possesses immense revolutionary potential. If we collectively heed the core message of real and unwavering love it champions, then we will build relationships—instead of walls.

Receiving his undergraduate training in Literary Studies (English) at Albany State University in Albany, Georgia, Juice Soul understands how to deploy irony adroitly, thus his choice to create an ironic title. The track’s title critiques the current state of love across the globe; it’s instructive, informing us through negation how to treat one another.

When ones listens to “Tasteless,” he or she might experience nostalgia for R&B of the 1970s – 1990s—a period of time in which authentic and quality vocals were cornerstones of the genre and not auto-tune and other technologically manufactured effects. Although Juice Soul’s mellifluous sound has affinities with the classic singing of the aforementioned period, he’s still current, sporting vocals that bear influences of Jamie Foxx, Sam Cooke, and Donny Hathaway. Many people love to say, “Bring back real music.” Well, lament no more. Juice Soul is the answer.

On this track, Juice Soul is joined by a talented rapper, L.T. Terror, who will inevitably blaze the national scene and become a household name. L.T. Terror spits rhymes that perfectly complement Juice Soul’s vocals, yielding purposeful and exemplary art. Neither artist overshadows or upstages the other. Although both are remarkable talents, one should never overlook the amazingly gifted Chevalier, the producer behind this artistic gem, “Tasteless.”

Fellows, you will thank Juice Soul later for supplying you with a new track to add to your mood-setting repertoire. “Tasteless” will tastefully ready the atmosphere for love, for romance, for lovemaking. Numerous current R&B songs denigrate and objectify women. Displeased with this reality, Juice Soul desired to present men with a resource to help communicate how much they cherish the special ladies in their lives. The artist responded to the popular demand from women to craft music that resists using profanity toward them and that resists commodifying and reifying them. Ladies, this isn’t a song that views you as a female dog—it embraces your humanity, your equality, your longing for true love, your external and internal beauty.

Yes, most men are more balanced and complex than seeing women as being only worth what they can extend sexually. Guys, “Tasteless” captures this aforementioned sentiment. Ladies will find this song physically, emotionally, and mentally stimulating. This track is a refreshing departure from “Let Me Hit It.” You think?  As always, Juice Soul presents mature, thoughtful, sensual, sexy, smart, and compelling art.

Juice Soul is destined to become the next popular national recording artist. Listen to “Tasteless” on Spotify, Apple Music, Google Play, Tidal, and all other digital platforms. Let your local record stations know you want to hear his new single played. Purchase it on iTunes.

Do you long to love somebody? Well, join the “Love Somebody Movement” and support its progenitor, Juice Soul.

Dr. Antonio Maurice Daniels
University of Wisconsin-Madison

Jason “JuiceSoul” Williams: America’s Best Unsigned Vocalist

Jason “JuiceSoul” Williams is unquestionably one of the best vocalists in America. Go to http://www.cdbaby.com/cd/juicesoulmusic to sample his music and to purchase his music. You can also hear his music on YouTube on his YouTube channel (JuiceSoul’s Channel) at http://www.youtube.com/JuiceSoul. Follow him on Twitter at www.twitter.com/JuiceSoulMusic (@JuiceSoulMusic). Become his friend on Facebook at www.facebook.com/JuiceSoul. You will thank me later!

Jason Williams is a native of Augusta, Georgia and received undergraduate training in English at Albany State University in Albany, Georgia. He currently resides in Smyrna, Georgia. Mr. Williams is furthering his academic training in English and Elementary Education at the University of Phoenix.  He has served as a Title I Tutor for the Richmond County School system in Augusta, Georgia. Jason has a demonstrated commitment to education and to ameliorating the quality of education for young people. Therefore, JuiceSoul is not only a great singer—he’s a great educator, mind, and community activist.

It was at Albany State University in Albany, Georgia that I got the chance to first hear JuiceSoul sing and perform. I was completely impressed by his raw talent. When he sings, you feel his music. JuiceSoul communicates a powerful and compelling story with each word that he sings. He writes his own music too. One of my favorite songs that he has composed and song is “Intentionally,” which is also the first song that I heard and saw him perform. I also love “Kill For You” and “Made Her A Woman,” which you can hear and purchase at the aforementioned sites.

For those of you out there needing a vocalist to sing at your wedding ceremony or wedding anniversary or event, JuiceSoul has a company, Together Forever Wedding Music, which you can contact to have him come to sing for you. Contact his company at jasonwilliamsvocalist@yahoo.com and/or (706) 399-5061.

To music fans out there, I ask for you to first go to http://www.cdbaby.com/cd/juicesoulmusic and purchase JuiceSoul’s music for only $9.99 for your mp3 player and/or $10 for a CD. Go to his YouTube channel at http://www.youtube.com/JuiceSoul and listen to his music and post a comment (and click the “Like” button). Next, request his music to be played by your local radio stations. Finally, use Twitter, Facebook, blogs, websites, letters to the Editor of your local newspapers, word of mouth, and etc. to let people know about Jason “JuiceSoul” Williams’ music.

To the music producers and record companies, you will be hearing from me about this outstanding young Black male vocalist.

I intend to lead an effort to have JuiceSoul signed by a major record label. Why? It’s not simply because he’s a great vocalist, former college classmate, great father, educated Black man, great educator, great community activist, and great mind (did you see all of those uses of the word “great”), but it ultimately comes down to the fact that Jason “JuiceSoul” Williams is a tremendously humble person. He’s got all of this talent and remains so humble. In our contemporary period, this level of humbleness is something to be treasured. Jason did not ask me to pen this feature on him, and I did let him know that I would be doing a feature on him. He, again, demonstrated his humbleness in thanking me.

With over 131,000 readers in one year of the existence of this blog, Revolutionary Paideia, I have committed myself to using this blog as a vehicle for uplifting and advancing people. This feature on Jason “JuiceSoul” Williams is the least I can do for him. Revolutionary Paideia will be used as a medium to promote this great vocalist. For those who love to say that they support emerging artists, here is an opportunity for you to do something to support an emerging artist who deserves a national and international audience.

Revolutionary Paideia will have more about Jason “JuiceSoul” Williams in the upcoming months. Revolutionary Paideia plans to purchase more of his music and have giveaways of his music, so you need to keep reading Revolutionary Paideia for your opportunity to win free music by this outstanding vocalist.

Jason, keep up the great work! I will be praying for you and supporting you all the way to stardom and so will many of my readers! God bless you!

Antonio Maurice Daniels

University of Wisconsin-Madison