Err on the Side of Caution and Watch Your Words
Individuals can sometimes make statements about someone that emerge from lapses in good judgment. Before you make statements about someone, be sure you have all of the facts about what you intend to say so that you don’t look like a fool in the end. Many people who are so quick to make comments about someone don’t have the emotional strength to handle the backlash their words can engender. When you’re not having the best day and/or have an attitude, err on the side of caution with what you say.
The things you say have power—whether those things you say bring you positive or negative returns.
When you directly or indirectly make bold statements about someone, the person who often really has the problem is you. Many people rather deflect their problems by attempting to attack others. After you finish attempting to attack others, your problems will still be there. What are you going to do about your own problems? Why waste time trying to draw attention to other people’s problems when your life is a mess? Clean up the mess in your own house before you focus on the challenges other people face in their houses.
It can be amazing how people think they know so much about someone when they don’t really know anything about him or her. Don’t be foolish enough to say things to others and in public that you’re basing off an inkling. You damage any credibility you have left when you do things like this. If you feel confident enough to make bold statements about someone, why not ask him or her to confirm your statements? Why not confront the person first about what you have to say before you express it to others? Are you really as real as you’re claiming or pretending to be?
Your words can do damage to relationships and that damage may not be able to be repaired. This may not matter for some or many of your relationships. There will be, however, some relationships that you have damaged that you will regret. Without question, there’s nothing wrong with being bold. We certainly need more truly bold people in America. Let good judgment guide your efforts at being bold and “keeping it a hundred.” A person may never let you know you damaged your relationship with him or her. He or she may seem to act different and you will not really understand why, especially if you thought something you said didn’t get to him or her or went over his or her head.
You will always end up having to pay for your reckless choice of words.
When you call people out about the bold statements they made about you, they begin to become defensive about what they said, as if they’re the victim. Really? You’re the victim? The moment you made the bold statements about someone while you were “keeping it a hundred,” “being real,” and demonstrating how bold you are you should have thought about being the victim then. You should, therefore, own what you’ve said and not try to present yourself as a victim when you are the victimizer.
Yes, there’s nothing wrong with being yourself—just make sure you’re committed to owning up to all you do and say. When you say things about people, they’re going to retaliate—be ready! It’s only fair for those who you attempted to shame to give you a little of your own medicine. Fair is fair, right?
Antonio Maurice Daniels
University of Wisconsin-Madison
Race in Toni Morrison’s The Bluest Eye
In The Bluest Eye (1970), Toni Morrison’s first novel, the reader encounters Pecola Breedlove, the protagonist of the novel who has to confront the dominant culture’s oppressive standard of beauty. As Morrison’s narrative is situated in 1941, this time period featured tremendous racial discrimination against African-Americans. Since the dominant culture’s standard of beauty did not allow African-Americans in 1941 to be considered as beautiful because of their dark (non-white) skin color, Pecola Breedlove experiences great racial shame, resulting from this oppressive standard of beauty. She desires to be liberated from the manacles of race. Pecola does not long to be considered simply beautiful; she desires to be the most beautiful person. Therefore, in order to become the most beautiful person, Pecola aspires to have the bluest eye (a physical characteristic of the dominant culture) to enable her to escape the oppressive bondage and limitations that race places on her ability to see herself as the most beautiful individual. For Pecola, the only way that she sees that she will be able to be perceived as beautiful is to live imaginatively in a world where she does have the bluest eye—biologically impossible in the world in which she physically resides. In helping the reader to understand how Pecola perceives how the dominant culture views her, Morrison writes: “She has seen it lurking in the eyes of all white people. So. The distaste must be for her, her blackness. All things are in her are flux and anticipation. But her blackness is static and dread. And it is the blackness that accounts for, that creates, the vacuum edged with distaste in white eyes” (49).
Although Peocla is able to see the “distaste” that the dominant culture has for her “blackness,” Morrison is able to offer readers one of her most pervasive themes that permeate all of her novels: African-Americans must seek alternatives to the oppressive social reality that the social construction of race has caused them to experience. While Morrison’s narrative interrogates salient issues surrounding race through Pecola, her focus on the racial shame of Claudia McTeer, one of Pecola’s closest friends and the novel’s narrator, operates powerfully in illuminating her multifarious and nuanced ways of exploring race in The Bluest Eye.
One of the most important ways in which Morrison has Claudia McTeer to interface with the theme of race is through her interaction with Maureen Peal, a young African-American female of a brighter hue than Claudia and Pecola. Through the interactions between Claudia and Maureen, the reader learns that Claudia has internalized her racial shame and she does not want Pecola to reveal her racial shame in the presence of Maureen. In a pivotal encounter where Claudia, Pecola, and Frieda (Claudia’s sister) have an argument with Maureen about Maureen’s claim that light-complexioned blacks are beautiful and dark-complexioned blacks are ugly, Pecola’s disheartened and silent reaction that endorses the claim that Maureen espouses about the relationship between skin color and beauty unveils and accentuates Claudia’s great internalized racial shame. In demonstrating her tremendous indignation for Pecola’s conspicuous endorsement of Maureen’s reprehensible claim, Claudia states, “She seemed to fold into herself, like a pleated wing. Her pain antagonized me. I wanted to open her up, crisp her edges, ram a stick down that hunched and curving spine, force her to stand erect and spit the misery out on the street” (73). Claudia’s internalized racial shame is vividly clear as she expresses her anger with Pecola for giving Maureen’s disgraceful claim the validity that Maureen hopes that it will be given. While Claudia and Frieda attempt to conceal their racial shame through their incensed retorts to Maureen’s claim, Claudia becomes increasingly angry with Pecola because she identifies with the transparent way in which Pecola sinks under “the wisdom, accuracy, and relevance” of Maureen’s shameful and painful claim (74).
Morrison’s treatment of racial shame in the novel enables her readers to not only unearth the significant psychological impact of Pecola and Claudia perceiving themselves as racially inferior, but her larger use of the theme of race also affords readers an opportunity to understand the oppressive economic, social, and cultural milieu and problems that have plagued blacks historically. Pecola and Claudia are two of the most important characters Morrison employs in the novel to offer critical revelations about race. The novel is an instructive denunciation of the social construction of race.
Antonio Maurice Daniels
University of Wisconsin-Madison
The Pain of Knowing You Did the Wrong Thing
When you know that you have done the wrong thing to someone, you should ask for God’s forgiveness and should ask the person for forgiveness. God will forgive you. The person may forgive you too. You should ask the person for forgiveness in person to allow him or her to see that it is a genuine request for forgiveness—if this is at all possible. People will respect you more when you just come out and genuinely apologize for the things that you have done wrong. Don’t try to make excuses for what you have done wrong—just apologize. When you try to make excuses for what you have done wrong or try to engage in a debate about whether or not what you did was really wrong, then you cause even more pain for your victim or victims and run the risk of never getting forgiveness from that person.
Although some people may never forgive you, you should try your best to get their forgiveness because you are the person who caused the pain in the first place. The one thing that you can do in the future to prevent causing people pain is to simply not strive to intentionally hurt people. When you have developed a reputation for being compassionate, then the times where you unintentionally hurt people will be less of a problem because people will automatically excuse you because your compassionate reputation precedes you.
One thing that makes me angry about people who intentionally hurt others is when they try to cover up the hurt that they have caused. When they attempt to make it appear like they had nothing to do with the hurt that they caused, this represents the essence of cowardice. I have a difficult time not going wild on someone who knows that he or she has intentionally inflicted pain on me, but comes around me acting like everything is okay—like nothing has happened.
Let’s be better people and not intentionally hurt people. If we would not intentionally hurt people, we would not have to carry with us the pain of knowing that we have done the wrong thing to somebody, and what a pain that is.
Antonio Maurice Daniels
University of Wisconsin-Madison






